Still up to no good.


Fine Arts major in Advertising.

I love Science,
and Art.

I hate combing my hair.

I'm secretly a "Bird Lady."

And none of the photos are mine unless tagged as mine.
Karen O

—The Moon Song (ft. Ezra Koenig)


the moon song || karen o ft. ezra koenig

I’m lying on the moon
my dear, I’ll be there soon
it’s a quiet starry place
times we’re swallowed up in space
we’re here a million miles away

(via last-shadow-puppet)


The Doppler Shift

The Doppler effect explains why objects moving towards us or away from us at high speed appear to have their colors shifted either towards blue or red respectively.

When an object moves towards us, the crests of the light waves we see from it are compressed together, making the wavelength of the light shorter (and hence bluer), while for an object moving away the separation between crests is stretched, making the light’s wavelength longer (and hence redder). In the simulation above, the monochromatic source of light, as it moves right, would appear blue to an observer on the right-hand side, and red to an observer on the left.

Scientists use spectroscopy — a technique that breaks light up into its component wavelengths — to study the vicinity of supermassive black holes. As matter spins around the black hole, the Doppler effect kicks in, this means that one side appears slightly redder, and the other slightly bluer than it really is. Note that the effect is exaggerated in this computer simulation, which depicts the vicinity of the black hole in the galaxy Messier 87 — one of the first to be studied by Hubble.

Credit: ESA/Hubble (L. Calçada)

(via enrichedstarguts)


David Altmejd Art

artist on tumblr

David Altmejd is a sculptor born in Montreal, Canada. He currently lives and works in New York.

“When I work, the body is like a universe where I can lose myself. It is a metaphor for the landscape, nature and the mountains”, Altmejd has said. The Healers (2008), another sculpture over two metres high which is formed of wood, foam, plaster and burlap, shows wildly overlapping figures and figurative fragments – hands, wings, kneeling and kissing figures, rendered as if in the midst co-dependent, sexually charged physical agony.
Equally reminiscent of baroque compositions representing the descent of the cross as well as of 19th-century public bronze sculptures commemorating battle massacres, Altmejd’s elaborate tableau, mixing handmade craft with the illusion of a digital freeze-frame palimpsest, evokes a mood of constant alchemical mutation.

(via asylum-art)